Menu settings will let you control the number of shots to take and the +/- exposure compensation to use for the outer limits. The easiest method is to produce the final image in camera – or in smartphone – and is supported in most models today. The first is done by shooting a number of images ranging from under exposed to over exposed and then combining them into one. There are two main methods for creating HDR images. If a scene has extremes in either the highlights, or the shadows, or both – it is a good candidate.Įxample include landscapes on bright, sunny days shooting indoor settings that include sunlight from a door or window or capturing skyline lights at sunset.
If a scene is evenly illuminated, it is not a candidate for HDR. Knowing when – and more importantly when not – to use HDR is the first critical decision to make. The trick is to balance when and how this technique is applied. Bad HDR images look like something straight out of a Sci-Fi movie. Good HDR images allow for the correct exposure of highlights and shadows in an image that has extremes at both ends of the scale without losing the rich details at either end.
But that doesn't mean we should abandon it altogether. HDR, or High Dynamic Range, imagery was all the rave several years back, and as a result became one of the most over used and abused techniques in the industry.
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